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Myroslav Shkandriya's book is one of the most thorough studies of Ukrainian nationalism of the 1920s–1950s.
Drawing on archives from Ukraine, Poland, Canada, and the United States, memoirs, and contemporary literature, and using modern scientific tools, the author shows us how Ukrainian nationalism went from an integral movement to a democratic transformation in the post-war emigration.
The author consistently examines three dimensions of this phenomenon: politics through relations with Poland, Nazi Germany, and the Soviet Union; ideology through the figures of key theorists and internal divisions; and literature, which became an important factor in the formation of the myth of the nationalist generation.
Having analyzed the works of Yevhen Malanyuk, Olena Teliga, Leonid Mosendz, Oleg Olzhych, Yuriy Lypa, Ulas Samchuk, Yuriy Klen, and Dokia Humenna, the researcher demonstrates how the artistic word contributed to national design, modeling the image of the new political community and its possible visions.
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